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Therefore, an adaptation should be “more about capturing the spirit of the books and the feelings you had when reading the books - that tonally it still feels like the same people - and less so about the details.”Ģ5 Groundbreaking Female Directors: From Alice Guy to Chloé Zhao It’s not the end-all-be-all it’s just one take on it,” she says. “The film or TV show is just one person’s interpretation. For “The Summer I Turned Pretty,” which was set in a time before texting and social media dominated teenagers’ lives, she specifically wanted to “make feel like 2021” because “we’re living in a really different moment.”
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Han adds that the adaptation process can also be a chance to update the way certain themes are discussed, as sensibilities and behaviors shift over time. “Narrative hooks people in a way that nonfiction doesn’t: you get really invested in these characters, and that’s not something I can do in my book of essays,” says West. Whether authors adapt their own work or step aside for someone else to bring their vision to life, the medium has the ability to reach a fresh audience, as well as touch those already invested in the property in a different way. I just align with this company, both in what they produce and also their ethics and what they believe in as a company, so I just said, ‘I trust you to take it.’”
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“I couldn’t imagine anybody better, and certainly I’m not going to tell Shonda Rhimes how to make television. “I decided, straight up, to hand it over completely because it was Shondaland,” Quinn says.
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Quinn, the mastermind behind the popular “Bridgerton” literary franchise, serves as a co-executive producer on the Shondaland-Netflix drama series of the same name but did not participate in the writers’ room. Still, adapting one’s own work is not for everyone. “And I also think they’ve seen people be really successful in writing novels and coming over to the film side.” “As we have more streamers and more places to watch it’s just opened up in a lot of ways, and they need more storytellers,” she says. 'To All the Boys' Author Jenny Han Sets 'The Summer I Turned Pretty' Series at Amazon 'Shrill' Team Previews Final Season, Announces Premiere Date (EXCLUSIVE) How the 'To All the Boys' Franchise Revitalized the Rom-Com for the Streaming Age One of the spotlight panels at Variety’s Virtual TV Fest, taking place June 8-10, will tackle the topic with authors including West, “Bridgerton’s” Julia Quinn and “To All the Boys…” and “The Summer I Turned Pretty” franchise scribe Jenny Han. Historically, it hasn’t been that common for authors to get the opportunity to adapt their own work, but that attitude has been shifting in an industry claiming to be keen on authenticity in its storytelling. West didn’t just hand over her book to television producers for them to adapt she stepped onto the show as a writer and executive producer, helping to shape the screen version. It directly responded to the book’s critique of the lack of visual representation of fat women in the media by making “a piece of representation that’s exactly the thing I’d been missing,” she says, while also fulfilling her dream of writing for television. Having her nonfiction book of essays, “Shrill: Notes From a Loud Woman,” turned into a streaming scripted comedy in 2019 checked many boxes for Lindy West.